a Saturday morning lecture

So on Saturday morning I got up to go to a lecture on the career of two architects from the turn of the century to the last days before the 29 crash, Carrère and Hastings.

here is the blurb from the museum where I went for the lecture-

The lecturer was a wonderfully knowledgeable and witty woman who had vast amounts of information about these two gentlemen- giants of their era. Most famous for the NY Public Library (where were they when the monstrosity that is the Chicago Public Library was being designed?) the two collaborated on many other famous works including the Ponce de Leon hotel in St Augustine and the Flagler Home in Palm Beach and many "country" homes of the uber-rich of the era in Newport and Long Island and other east coast venues. And one of our favorite museums - the Frick was their design...

here is the wikipedia entry for them

Carrère and Hastings, the firm of John Merven Carrère (November 9, 1858 – March 1, 1911) and Thomas Hastings (March 11, 1860 – October 23, 1929), was one of the outstanding Beaux-Arts architecture firms in the United States. It was located in New York City. The partnership operated from 1885 until 1911, when Carrère was killed in an automobile accident. Thomas Hastings continued on his own, using the same firm name, until his death in 1929.

Both men studied at the École nationale supérieure des Beaux-Arts and worked at the firm of McKim, Mead, and White before they established their firm in the same building. The partnership's first success was the Ponce de León Hotel in St. Augustine, Florida, which they designed for Henry Flagler. They went on to establish a successful practice during the 1880s and early 1890s, and rose to national prominence by winning the competition for the New York Public Library in 1897. The firm designed commercial buildings, elaborate residences, and prominent public buildings in New York, Washington and as far afield as Toronto, London, Paris, Rome, and Havana.

now the facility of Flagler College - we toured the Ponce de Leon hotel a couple of years back- here is my photo group-

here are some of the works she presented to us this morning - 

• Ponce de León Hotel, St. Augustine, Florida, 1885–87, now part of Flagler College
• Cairnwood Mansion, Bryn Athyn College, Bryn Athyn, Pennsylvania, 1895
• New York Public Library, New York City, 1897–1911
• Burrwood, one of the Gold Coast Mansions on Long Island, New York, 1898–1899 (razed)
• Vernon Court, Newport, Rhode Island, 1898
• Blairsden, C. Ledyard Blair house, Peapack, New Jersey, 1898–1903
• Bellefontaine, Giraud Foster house, Lenox, Massachusetts, 1899
• Henry Flagler's Whitehall, Palm Beach, Florida, 1900–1901
• Knole, Herman B. Duryea house, Westbury, New York, 1903
• Russell Senate Office Building, Washington, D.C., 1903–1908
• Arden, E.H. Harriman house, Harriman, New York, 1905–09
• Cannon House Office Building, Washington, D.C., 1908
• Bagatelle, Thomas Hastings house, Old Westbury, New York, 1908
• Nemours, Alfred I. DuPont house, Wilmington, Delaware, 1909–10
• Lunt-Fontanne Theatre, New York City, 1910
• W. B. Thompson Mansion, Yonkers, New York, 1912
• Henry Clay Frick House, now housing the Frick Collection, 1 East 70th Street, New York City, 1913–1914
• Grand Army Plaza (Manhattan), NYC, 1916
• Arlington Memorial Amphitheater, Washington, D.C., 1920

A very interesting lecture that literally packed the Historic Asolo theater- really worth getting up for!

astounding story - amazing film

so last night we went to see a film at the Bishop Planetarium - which has a Friday night film series. We decided to go see this one because our good buds CBGB have been touting it for a couple of years, ever since it played at the Traverse City Film Festival.  The movie is called Searching For Sugarman and it is the story of a guy who made a couple of records in the very early 70s and had virtually no success and so dropped out of the music scene.  However, in the closed world of apartheid South Africa he was a huge huge huge hit- bigger than Elvis.  The South Africans had heard of his suicide (in at least two versions of the tale) and at a much later date one guy decides that among the things on his life list was to find out how Rodriguez died.

The New York Times critic Manohla Dargis wrote a positive review, calling the film "a hugely appealing documentary about fans, faith and an enigmatic Age of Aquarius musician who burned bright and hopeful before disappearing."  Critic Dargis subsequently named Searching for Sugar Man one of the 10 best films of 2012.

my personal review is that this was one of the best documentaries I have ever seen... a terrific movie- we laughed, we cried (sad tears and joyful tears) - a wonderful tale of a most unusual artist and his art. And oh by the way - it won the academy award for best documentary in 2012....

spoiler alert: if you already have heard of this film you know this but if you plan on seeing it and don't know anything about it- don't read any further...

despite the varied rumors of Rodriguez death, he was actually living in Detroit and working as a laborer even after having gotten a degree from Wayne State University.  his co-workers are interviewed in some of the most humorous scenes of the movie as they recount their disbelief that he was this huge music star in South Africa.... the second half of the film - after they find him alive and well and living in Detroit, centers on his concerts in South Africa... really an amazing film...so worth your time to seek it out.

so two strong thumbs up from us for this one! I love it when you can come out of movie saying WOW! and in the absolute best way....  find a way to see it...

friends visit

So this past week we had friends from Chicago visit - to escape the heat wave that Chicago had while they were here- LOL... seriously it was in the 60s (finally!) when they were away from Chicago- and down here it was in the mid 80s- which actually was a heat wave of sorts (substantially over the average) but hey- you aren't looking for the weather report---

so here is how we spent the time together-

lunch upon their arrival at the Riverhouse-

then a quick trip over to the South Florida Museum to visit Snooty for his last feeding time of the day- then dinner at Blue Marlin (a favorite of ours)

the crocodile god - the logo of the museum-

Day Two included the historic Anna Maria Island tour of the old homesteads of the past three generations of my family down here- LOL - after a breakfast at the popular Peach's on East Bay Drive.... and also after a stop at the beach on AMI-  then we went home and got Phil for a lunch at Captain Brian's.

The beach was quite crowded by our standards and I laughed when I saw how much my photo resembled the Keith Oehmig painting in our living room- except for the absence of clouds LOL-

Odd how the days get away- because shortly thereafter we were heading south to Fogartyville for a concert of Full Set- and excellent Irish band that we thoroughly enjoyed... afterward we grabbed a burger for a later meal and headed home.

a couple of photos from their website-

Original photo by Conor Ledwith.  Graphic Design by Brian Hanlon

Day Three we went to the Pirates game against the Red Sox and then later to our fave Italian place- Cafe Baci.

our dinner red- was just perfect- showed fabulously- despite its age- 25 years old!

the next morning it was back to the airport to drop them off for what turned out to be a smooth flight home and mild weather for them and an amazing evening out for us (more on that in another post)...

you have to try

when my step-son Jeremy was little, he had a way of turning a phrase into a kid version of something people always say.  In the instance of this post- it was "you have to try before you don't know" and this became quite the saying in the family apparently. To this day, Phil will say that instead of you don't know until you have tried... LOL

so last night we went to another new (to us) restaurant and here is the quick summary- "no and yes"

the name of the place is Roast - and it is in a really cute old building right next to the Opera House...

it started off very badly- even though we had a reservation the woman at the front put the table ahead of us (walk ins) at the last outdoor table.  then she told us that she had a nice table inside for us- and it was a small crappy table shoved into a small corner where you had to squeeze past two other diners even to get to the two chairs backed up against the wall. we had brought a 1990 burgundy and opened it beforehand as we have been having pretty bad luck here with servers breaking old corks due to using the waiter's style wine keys to open the bottles and not taking the time to work with older corks. the wine glasses were Libby style thick glass - which was strange because 1. the place is kind of a higher priced/higher end steak and meat place and 2. they have lots of reds on their own wine list that you would think they would want to show off more to the advantage of the wine they were selling.

anyway- we were feeling pretty darn cranky when the server (who was very nice) gave this answer to a question about the preparation of the "Denver Lamb Chop Barnsley Style" and were told that it "was good" and "made with some oil and herbs on the top" - so without any further information Phil decided that if that was the best they could make it sound then he would order a steak.  then when the food we ordered was brought out the staff person who delivered the food had no idea who had what and had to ask "who had the..." which drives me nuts because anyone who has ever waited knows there are codes for which diner is which - like always start with the person at the 12 o'clock seat and work clockwise when writing it down- even if you don't take the orders in that order you can leave space so that the kitchen staff - food delivery staff knows who gets what...just lazy from a systems standpoint.

however, all of that being said- the food was actually really good and the server was attentive throughout the meal and very pleasant- and it wasn't her fault about the crappy table or the crappy wine glasses or the fact that the woman at the front gave preference to the walk-in over the reservation for the last table outside-

so no I wouldn't recommend it from this visit but yes we may go back and try again in hopes that the service end got better- and next time bring our own wine glasses...

the very nice outdoor area we wanted to sit in (below) and the indoor dining (above)

the excellent menu-

our 90 burg-

the starters- wedge salad and steak tartare- both excellent-

I had the beef sliders and Phil the rib eye - and we ordered both the duck fat fries and the truffle fries
and each of us liked one better but not the same one- LOL

we ended with a credible sticky toffee pudding that was worth going back for--- so all in all a mixed review - excellent food but the systems and set up not so much...

and a quick note about another place we tried  last week- Bridge Street Bistro - where the service was excellent and the place very nice with good wine stem ware and a wonderful setting on the porch three floors up overlooking the beach- but the food was only good- not excellent- wish these two places could get together and teach each other the skill set they are missing-

headed to the airport now to pick up company- so more after they depart on Friday!

school's out!

today was the last day of class for my winter term class "Insider's View of the Arts in Sarasota" and our instructor ended with an interesting topic especially given Sarasota's history.... the Circus!

a teaser to get you into the body of the post--- my collage of clown photos taken at the site of the Circus Arts Conservatory the location of our field trip this week. If you look closely they are actually only two clowns male and female that have each been individually decorated. They were on display in Sarasota a few years back and then disbursed- now the Conservatory is trying to gather them together again for display...

Before I delve into the topic here are two of my all time favorites circus related cartoon from the Far Side by Gary Larson- 

The first one was brought to mind when our presenter- Mr. Pedro Reis spoke of his desire to become a circus performer when he was young - sneaking into a trapeze training facility to jump on the trampolines and nets.... and the second one was the only cartoon I had on my office bulletin board for the last decade of my career in law... it spoke to me on so many levels- not the least of which was the incredible array of "responsibilities" contained in Rex's new trick...

But on to the morning's topic- 

here is a little blurb from the circusarts.org website on the history of the organization- 

The Circus Arts Conservatory was born from decades of circus history and today serves as a legacy to those that have set the standards for international circus performance. In the late 1920′s John Ringling moved his circus winter quarters to Sarasota and the circus became an integral part of the social and economic life giving our community its unique identity. Today, our organization stands as an icon dedicated preserving the extraordinary heritage of the circus arts through performance, training, education and outreach.

Known as the “Circus Capital of the World,” Sarasota, Florida claims its own resident hometown circus. Our annual professional performances, showcased in a one-ring, five-star, European-style big top, have been acclaimed around the globe for world-class artistry and entertainment. Committed to raising the perception of the circus as the valuable art form it represents, The Circus Arts Conservatory is much more than a circus.  Approximately 80% of ticket revenue to help support its community outreach programs that serve children, the elderly and those in care facilities.  The year-round outreach programs Humor Therapy Program, Education Program and Sailor Circus Academy contribute important outcomes in our community.  It remains equally important to Circus Sarasota to preserve Sarasota’s unique circus legacy through education, human service and the performing arts.

FOUNDERS & DIRECTORS…

Pedro Reis and Dolly Jacobs have combined their expertise and passion for the circus by creating Circus Sarasota. Their mission is to provide a circus that represents the circus arts at the highest level and that is linked to the community through performance, education and integrated arts programming. They have helped bring the magic of circus to more than 200,000 people.

SARASOTA “Circus Capital of the World”

John Ringling first visited Sarasota in 1909, when this quiet farming and fishing village had a population of just over 800. Realizing the real estate potential of the area, he bought numerous large parcels of land, including St. Armands, Bird Key, the south end of Longboat Key and 66,000 acres along the Myakka River.

In the late 1920′s, John was offered 156 acres of land if he would move his circus winter quarters to Sarasota. He recognized the many advantages of relocating, so in November, 1927, the circus train rolled into town as it would do for the next 33 years. Many other circuses followed the Ringlings, and Circus became an integral part of the social and economic life of Sarasota, giving our area its unique identity.

Winter Quarters

In 1950, Cecil B. DeMille directed The Greatest Show on Earth, a motion picture starring Charlton Heston, James Stewart and Betty Hutton. Much of the film was shot in Sarasota. Many local residents were used as extras, and circus artists advised and helped the stars with their stunts and appeared in the film. Its world premier was at what is now the Sarasota Opera House.
 Today, the grand Ringling Winter Quarters is gone. While the area remains home base for many circuses and home to thousands of active and retired circus families, few Circus attractions are open to the public.

The Wallendas

After an absence of many years, Sarasota once again has its own professional resident circus, Circus Sarasota, which mentors the Sailor Circus youth program to continue the legacy of the circus arts in this region. (all blue italics are from circusarts.org)

So this morning we were greeted by Mr. Pedro Reis the founder of the Circus Arts Conservatory and he spoke to us about his personal history and that of his wife and her family as well as the founding of the CAC here in Sarasota... so here are some of my notes- I will try to do justice to his presentation but he was an excellent story teller and kept us all engrossed for the entire time allotted so my notes may have some spaces where the flow may have been lost as I followed along with Pedro's career and the founding of the school. (my apologies up front) 

a small digression- I took the photo below of the Bandstand- for a friend of mine that spent a summer- before dental school-  playing the trumpet in the circus band with Ringling's Blue circus - it has formed the basis of countless recitations of his summer traveling with the circus and what a mean drunk one the midgets was (shall remain nameless) anyway I thought of him when I saw the bandstand in the Sailor Circus arena this morning-

some arena photos of the rings, ladders, ropes and seats for patrons...

As a child in South Africa, Pedro got hooked on the circus when his family moved across the street from and outdoor circus arts program.  The flying trapeze was his first love but he knew early on he could never be the best in the world at it and that was his motivation to try other acts.  He got a troop of 13 together to form an act called the "Star Lords" - he was, I believe, a "catcher" (versus the flying trapeze- still swings but doesn't leap like the flyer does- I think.) They took the show on the road and went to the big circus competition in Monaco.

The Star Lords disbanded and Pedro next took up a cradle act - this is an act where the catcher is stable on a platform rather than swinging from his knees.  That act was touring in Switzerland when Ringling's agents saw him and hired him immediately for the US circus. Ringling's winter quarters had historically been in Sarasota and it is know around the world as the US circus capital.  It did later move to Venice and even later to its current location in Palmetto (where they took over a huge abandoned GE jet engine plant)where they can have two circus shows and three ice shows in rehearsal at the same time.  But as Pedro said- in Sarasota, the circus capital of America, the circus is pretty much invisible and he hope to use the Circus Arts Conservatory to give it a higher profile.

When Pedro joined the Ringling Circus he met the woman who would later become his wife.  She was touring with the Red Circus and he with the Blue Circus. His act was called "The Survivors" It was an aerial act but he went on to a cloud swing act when one of the Survivors lost his nerve and became too worried about being able to keep the act safe.  Then an accident during his cloud swing act ended his career- a faulty set up to the rigging on his act caused him to break both his ankles and they are now fused.  As he put it "one door closes and you open another one"....so he and Dolly his wife of now 27 years decided to open a circus arts school.

Dolly (who has a roman rings act background) is circus royalty, the daughter of Lou Jacobs - one of three clown archetypes (he was an Auguste Clown, Emmett Kelly the Tramp Clown, and Felix Adler the White Faced Clown). Lou Jacobs is really really BIG- here are three amazing facts about him (from wikipedia)  he popularized the clown car, which has been a staple of circus clown acts ever since; he is also cited as the originator of the red rubber ball nose, used by many clowns today and he was the first living person to have his portrait appear on an American postage stamp.

above Jacobs with at least a couple of Wallenda kids- and below the stamp (which technically may be Jacob's image but I don't think I would - as a lawyer- deem this a portait...LOL)

So back to Pedro's story- he and Dolly opened the circus school and bought a tent from a bankrupt Russian circus. They have always had lots of support from the Wallendas because they are believers in passing on the art of circus performers. The school had great difficulty in the first years and were very close to going under when the Van Wezel rented their tent while the auditorium was undergoing renovations. At one point Dolly took a job at Busch Gardens to pay the artists at the school. Things turned around after they performed on the Van Wezel calendar and gained more widespread notice.

The location of the Circus Arts Conservatory (right next to Sarasota High School) is historical.  The program for the Sailor Circus began as part of the Physical Education program at the school. The team name has always been the Sailors because back before there was a Sunshine Skyway the foot ball team used to sail across the mouth of the Tampa Bay to play the St Pete high school football team.  The school ran the "Sailor Circus" for a while and then later when the school board was sued for an accident, they gave it up and turned it over to the Police Athletics League (PAL).

here is what their website has to say about their association with the Sailor Circus-

The Sailor Circus has been in operation since 1949. In 2004 the Police Athletic League of Sarasota County took it over as one of its after school programs. While it offers traditional homework assistance and tutoring, it is anything from ordinary. This unique program teaches children from the fourth grade through the twelfth grade through circus arts. Students have the opportunity of learning everything from unicycle, juggling, teeter-totter, globes, and clowning to high-wire, hoops, rings, tissue, and flying trapeze. Students participate in sessions that begin in either August and/or January. At the end of each session a public performance is held before crowds of more than 20,000 people each year!

Pedro noted that they teach circus arts as a discipline - and for self esteem - few of the students go on to the circus and all are encouraged to continue their education through college.

The big top for Circus Sarasota (now located in Benderson Park) seats 1645 people - while the arena (where the Sailor Circus and the Circus Arts Conservatory are located) seats 1750- and can be expanded with floor seating for concerts to 2500 seats.  The tent is rented out (for example to Bonnaroo festival in TN) and travels when Circus Sarasota isn't in town. The Circus Sarasota does not have the funds to travel - this usually needs to have a corporate sponsor to make it happen.

(photo from tripadvisor)

Circus is alive and well, not just worldwide but in the US as well. Ringling has three traveling circus units and Cirque de Soleil has five in Las Vegas and three traveling shows. There are hundreds of circus schools today training kids in after school programs.  Pedro himself has worked in 48 states and many many countries worldwide and he noted that frequently kids of circus families in Europe spoke seven or more languages.

Pedro spoke passionately about the process of creating a new show and how important each element was to the audience's overall experience- not just the acts but the lighting and the sound and the timing and sequencing of the show.  He said that Cirque de Soleil (CdS) had transformed the way circus was perceived.  It was started by two street performers from Montreal who got a $ 5 million grant from the Canadian government and designed a whole new show.  They couldn't afford animals so they touted the fact that they were "animal free."  They create their acts from the ground up rather than hire circus acts and build their shows around a theme. They have been copied by many groups in other countries (Cirque Chinois, or Cirque Italia, for example.) Circus is alive and well despite being one of the oldest forms of family entertainment in the US.

some clown closeups-

For anyone interested in seeing upcoming performances - the Circus Sarasota FEARLESS show (which had rave reviews)  is closed, but they are having a combination of circus acts with the Key Chorale group which is coming up - called Cirque des Voix and the Sailor Circus is also on the near term schedule.

The Q&A came up with the following little tid-bits of information that I found interesting-

• you can't copyright your act - you can copyright a routine but not the act.
• 99% of accidents in the circus are due to rigging errors.
• the Circus Producers Association helps the circuses get insurance.
• they save all their costumes and even have some that have been donated - and they rent them out.
• they also teach sound/lighting/rigging/costumes for the circus as well as the "acts".
• they put on circus camp in the summer for seven weeks.

Another interesting class and morning - KUDOS to Judy Levine for putting together this incredible course for the Lifelong Learning Academy at USF-SM!!!!